I tend to read a lot of novels, not the pulp variety but usually older works.  Maybe I am trying to fill in my literary education that went on hold for many years when I was watching too much TV.  Granted, I love biographies and books about art and artists, but recently I got a hold of a copy of René Gimpel’s Diary of an Art Dealer and I have been thoroughly engrossed in it for the past few weeks. 

Gimpel was one of the most important and successful art dealers in Paris in the first half of the 20^th century and perhaps not surprisingly, he knew nearly everyone who was rich, famous, or collected art. 

He recounts numerous visits to an aging Claude Monet at Giverny, to an equally frail Auguste Renoir in his home in Southern France, dinner parties where companions recounted stories of Degas’s rudeness, his meeting Marcel Proust on vacation on the seacoast of Normandy, his mistrust of the American expatriate art historian Bernard Berenson, and so-on.

But he doesn’t confine himself merely to art or the rich and famous; Gimpel was an astute and sensitive man who could capture the essence of his time with a few words: about World War I, “On a bench: five soldiers with seven wooden legs.” His journal entries about the “Great War” and its aftermath are sobering. 

Of significant interest to a curator in an American art museum are his frequent visits to America and his meetings with collectors like Henry Clay Frick (“America’s most hated man”), J.P. Morgan, John D. Rockefeller, and Henry Ford (who he describes quite unflatteringly), as well as dinners and cocktail parties—(and this was during Prohibition)—with museum directors like W.R. Valentiner of Detroit and George and Nina Spalding Stevens of Toledo. 

He frequently notes prices for works of art that he has sold, works others (like the famed British art dealers, the Duveens, into whose family he married) have sold, works he knows to be fakes, and some famous art scandals of the time. If you love art, larger-than-life personalities, “culture gossip,” European and American history during the important years leading up to the outbreak of World War II, you certainly will enjoy this book. 

Gimpel’s entries tend to be brief and pithy so one can read as much or as little as one has time for.  Unfortunately, I believe this book, originally published in translation in 1967, was reprinted in 1992, but copies can be found on the Internet through various book dealers.  Good reading! 

Dominique H. Vasseur

Curator of European Art

 Think about it... you probably know family and friends that would get a lot of enjoyment out of a year long membership to CMA. 

This year we have even partnered with Barcelona Restaurant and Bar!  With each membership that you purchase, we will include a $20 gift certificate toward the purchase of two dinner entrees at Barcelona.

If you want... you can keep the certificate for yourself and give the membership..lol... we won't tell ;-)

Kristy Emch
Member Relations Manager

Melissa will be at the Riffe Gallery again on Sunday, November 13 from 2-4pm as part of the Quilt National '09 exhibition programming.   She will be teaching some basic quilting techniques to children rather than speaking about her work, but I'm sure she wouldn't mind a few questions!  Take the opportunity to meet this young, local artist if you can.

Lisa Dent
-Associate Curator of Contemporary Art

Passport to HIstory: Sharing Family Memoris encourages parents and grandparents to bring their school age chinldren that offers an opportunity fo the two generations to talk with one another about aspects of their past and present as they create a small "passport booklet" for the child to take home.

Our own Carole Genshaft will speak about how older family members helped Aminah Robinson create some of her best known paintings and collages. Russ Pollitt will discuss how famiy trees are constructed to preserve family history. John Lee will share his knowledge of how to make bows and arrows in order to deomstrate the changing nature of important tools in our daily lives.

You'll have to register (you can email reservations@columbushistory.org), but it's free to attend.

Art Speaks. Join the Conversation.
Nannette Maciejunes

On the exact same weekend, artist Stephanie Syjuco set up her project, "Copystand: an autonomous manufacturing zone," at the Frieze Art Fair.  In what she calls a "counterfeiting event," Syjuco and a team of artists took over a booth at the prestigious, international art fair.  Over the course of the 4 day event the artists re-created other artworks found within the fair and displayed them as they were completed.  All of the"copies" were for sale, and for a fraction of the price of the original.

As someone who grew up in the age of hip-hop, and later became educated in the ideas of conceptual art practice, pulling inspiration from other sources sometimes feels as natural as sleeping.  And when you hear Syjuco talk about the project, she is clearly aware of the historical, artistic and economic forces around her.  It's the lie that Fairey told that seems to get to people.  Syjuco, on the other hand, puts it out there for all to know and see.

I'm curious to see where all this will lead.  Are you?

-Lisa Dent, Associate Curator of Contemporary Art