Good Reading

I tend to read a lot of novels, not the pulp variety but usually older works.  Maybe I am trying to fill in my literary education that went on hold for many years when I was watching too much TV.  Granted, I love biographies and books about art and artists, but recently I got a hold of a copy of René Gimpel’s Diary of an Art Dealer and I have been thoroughly engrossed in it for the past few weeks. 

Gimpel was one of the most important and successful art dealers in Paris in the first half of the 20^th century and perhaps not surprisingly, he knew nearly everyone who was rich, famous, or collected art. 

He recounts numerous visits to an aging Claude Monet at Giverny, to an equally frail Auguste Renoir in his home in Southern France, dinner parties where companions recounted stories of Degas’s rudeness, his meeting Marcel Proust on vacation on the seacoast of Normandy, his mistrust of the American expatriate art historian Bernard Berenson, and so-on.

But he doesn’t confine himself merely to art or the rich and famous; Gimpel was an astute and sensitive man who could capture the essence of his time with a few words: about World War I, “On a bench: five soldiers with seven wooden legs.” His journal entries about the “Great War” and its aftermath are sobering. 

Of significant interest to a curator in an American art museum are his frequent visits to America and his meetings with collectors like Henry Clay Frick (“America’s most hated man”), J.P. Morgan, John D. Rockefeller, and Henry Ford (who he describes quite unflatteringly), as well as dinners and cocktail parties—(and this was during Prohibition)—with museum directors like W.R. Valentiner of Detroit and George and Nina Spalding Stevens of Toledo. 

He frequently notes prices for works of art that he has sold, works others (like the famed British art dealers, the Duveens, into whose family he married) have sold, works he knows to be fakes, and some famous art scandals of the time. If you love art, larger-than-life personalities, “culture gossip,” European and American history during the important years leading up to the outbreak of World War II, you certainly will enjoy this book. 

Gimpel’s entries tend to be brief and pithy so one can read as much or as little as one has time for.  Unfortunately, I believe this book, originally published in translation in 1967, was reprinted in 1992, but copies can be found on the Internet through various book dealers.  Good reading! 

Dominique H. Vasseur

Curator of European Art

Giving the Gift of Art & Food?

I have been at CMA a little over a year now.  In that time I have discovered how many people close to me adore the museum for its' art, education, and/or family programming.  Yet, I continue to struggle to get the message out at the holidays to give the gift of art. 

 Think about it... you probably know family and friends that would get a lot of enjoyment out of a year long membership to CMA. 

This year we have even partnered with Barcelona Restaurant and Bar!  With each membership that you purchase, we will include a $20 gift certificate toward the purchase of two dinner entrees at Barcelona.

If you want... you can keep the certificate for yourself and give the membership..lol... we won't tell ;-)

Kristy Emch
Member Relations Manager

Studio Visit

Yesterday I had the pleasure of visiting Melissa Vogley Woods' studio.  I first saw her work at the HERE and Beyond exhibition at the Riffe Gallery this Summer.  Over the past several years her work has largely focused on the image of Sun Bonnet Sue, albeit with Melissa's own contemporary and whimsical twists.  In Melissa's world, Sun Bonnet Sue no longer stands by politely but participates in the actions and arguments of her time.  She has taken an iconic image from the history of quiltmaking and turned it on it's head, creating mixed media drawings, sculptures and photographs.

Melissa will be at the Riffe Gallery again on Sunday, November 13 from 2-4pm as part of the Quilt National '09 exhibition programming.   She will be teaching some basic quilting techniques to children rather than speaking about her work, but I'm sure she wouldn't mind a few questions!  Take the opportunity to meet this young, local artist if you can.

Lisa Dent
-Associate Curator of Contemporary Art

Inspiration

Some of you may have read one of the many recent stories about artist Shephard Fairey.  Fairey recently admitted to lying to investigators regarding the use of an Associated Press image in his artwork and in doing so has once again ignited conversations around inspiration, appropriation and fair use.

On the exact same weekend, artist Stephanie Syjuco set up her project, "Copystand: an autonomous manufacturing zone," at the Frieze Art Fair.  In what she calls a "counterfeiting event," Syjuco and a team of artists took over a booth at the prestigious, international art fair.  Over the course of the 4 day event the artists re-created other artworks found within the fair and displayed them as they were completed.  All of the"copies" were for sale, and for a fraction of the price of the original.

As someone who grew up in the age of hip-hop, and later became educated in the ideas of conceptual art practice, pulling inspiration from other sources sometimes feels as natural as sleeping.  And when you hear Syjuco talk about the project, she is clearly aware of the historical, artistic and economic forces around her.  It's the lie that Fairey told that seems to get to people.  Syjuco, on the other hand, puts it out there for all to know and see.

I'm curious to see where all this will lead.  Are you?

-Lisa Dent, Associate Curator of Contemporary Art

Remembering Russell

If you've visited our Russell Page Sculpture Garden this summer, you've most likely seen several members of the Ohio Plein Air Society diligently capturing the garden's beauty in paintings. As part of our Remembering Russell event scheduled for Friday, September 18, several of these works have been selected for a juried exhibition and will also be available as part of a silent auction benefiting CMA that evening. The works are currently on display here in our lobby. Stop in and see them while you have the opportunity.

Art Speaks. Join the Conversation.
Nannette Maciejunes
CMA Executive Director