Exhibition on Screen, Goya: Visions of Flesh and Blood
November 21, 2024
7:00–8:30 PM
Location: CMA
Experience Exhibition on Screen as part of CMA After Hours, a weekly program from October 2024 to May 2025.
Directed by David Bickerstaff, produced by Phil Grabsky
Based on the landmark Goya exhibition at the National Gallery, London.
Exhibition on Screen is offering access to the world’s greatest institutions and leading international art experts, each film is a cinematic journey into the personal and creative lives of history’s best-loved artists.
Francisco Goya is Spain’s most celebrated artist and considered the father of modern art. Not only a brilliant observer of everyday life and Spain’s troubled past, he is a gifted portrait painter and social commentator par excellence. Goya takes the genre of portraiture to new heights and his genius is reappraised in a much-anticipated landmark exhibition at The National Gallery, London. The film uses this exhibition to look in depth at Goya’s eventful life.
Through extensive location footage, Goya’s revealing letters and a unique exhibition of masterpieces from great collections across the world, this film builds a fascinating portrait of the painter and the colorful world he painted. Influenced by Rembrandt and Velázquez, Goya explored a new realism where he did not flatter and was not afraid to reveal what he saw physically and psychologically. Yet this did not stop him securing major commissions from powerful individuals seeking the prestige of being painted by the best artist of the day. Royalty, aristocrats, politicians and close friends were subjected to his highly modern approach that captured rapid changes of expression, gesture and emotion. Goya’s powerful vision and technical brilliance makes him one of the most admired and revered artists in the world today and indeed among the greatest painters to have lived.
Tickets are $12 for members and $15 for nonmembers.
This series of Exhibition on Screen is presented in partnership with McConnell Arts Center and Columbus Museum of Art. We are excited to present art documentaries at each location with this partnership.
Directed by David Bickerstaff, produced by Phil Grabsky
Based on the landmark Goya exhibition at the National Gallery, London.
Exhibition on Screen is offering access to the world’s greatest institutions and leading international art experts, each film is a cinematic journey into the personal and creative lives of history’s best-loved artists.
Francisco Goya is Spain’s most celebrated artist and considered the father of modern art. Not only a brilliant observer of everyday life and Spain’s troubled past, he is a gifted portrait painter and social commentator par excellence. Goya takes the genre of portraiture to new heights and his genius is reappraised in a much-anticipated landmark exhibition at The National Gallery, London. The film uses this exhibition to look in depth at Goya’s eventful life.
Through extensive location footage, Goya’s revealing letters and a unique exhibition of masterpieces from great collections across the world, this film builds a fascinating portrait of the painter and the colorful world he painted. Influenced by Rembrandt and Velázquez, Goya explored a new realism where he did not flatter and was not afraid to reveal what he saw physically and psychologically. Yet this did not stop him securing major commissions from powerful individuals seeking the prestige of being painted by the best artist of the day. Royalty, aristocrats, politicians and close friends were subjected to his highly modern approach that captured rapid changes of expression, gesture and emotion. Goya’s powerful vision and technical brilliance makes him one of the most admired and revered artists in the world today and indeed among the greatest painters to have lived.
Tickets are $12 for members and $15 for nonmembers.
This series of Exhibition on Screen is presented in partnership with McConnell Arts Center and Columbus Museum of Art. We are excited to present art documentaries at each location with this partnership.
